{"id":21249,"date":"2020-05-22T13:28:27","date_gmt":"2020-05-22T11:28:27","guid":{"rendered":"https:\/\/fundaciojoseppla.cat\/permanent-exhibition\/homenots-el-meu-pais\/"},"modified":"2020-05-26T15:42:29","modified_gmt":"2020-05-26T13:42:29","slug":"homenots-el-meu-pais","status":"publish","type":"page","link":"https:\/\/fundaciojoseppla.cat\/en\/permanent-exhibition\/homenots-el-meu-pais\/","title":{"rendered":"Homenots – El meu pa\u00eds"},"content":{"rendered":"\t\t
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El meu pa\u00eds - My Country<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Josep Pla\u2019s writing is, above all, the result of a man\u2019s outlook whose adherence to the language and to the landscape makes him capable of interpreting and reorganising the world through his writing and creating forms of identity. People and landscapes fuse together, into some sort of human geography in which the local watch becomes not only a way of looking at but also a way of seeing the world, a literary requirement, a stylistic exercise, \u201ca working method\u201d. It consists of a voluntarily limited vision of the world reproduced to an individual, local scale, in fact, the only one which can be understood and assimilated by the human being. It is a vision of the world which determines the acceptance of the simplest things, the most commonplace, everyday, and the most trivial ones.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“Jo formo part d\u2019una determinada tribu. Aquesta tribu ocupa una determinada \u00e0rea geogr\u00e0fica, t\u00e9 una manera absolutament personal de veure el m\u00f3n, parla una llengua determinada, pobra, poc treballada, m\u00edsera\u00a0\u2014<\/span>constitueix el que ara es comen\u00e7a d\u2019anomenar una \u00e0rea ling\u00fc\u00edstica.”<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Notes disperses.<\/span> OC XII, 575.<\/span><\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Homenots - Great Men<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Slowly, during the fifties, Josep Pla started to ascribe morality and a collective dimension to his individual process of gathering memories. In the beginning the landscape, the cuisine or the jobs were the main elements of his writing, which were at the service of a memorialistic literature; however, since 1958, Josep Pla began the publication of a series of volumes which were named Homenots (Great Men) a real gallery of portraits of the most important Catalan people of the century: artists, writers, intellectuals and also businessmen, economists or notaries. Already, in the first books of his youth, Pla had practised the portrait as a literary genre, at that time; however, he was adding a new dimension: the fact of recovering a Catalonia which had fallen into oblivion and was at the point of disappearing forever.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“L\u2019\u00fanica manera de lluitar contra la terrible invasi\u00f3 de l\u2019oblit, de crear una mem\u00f2ria col\u00b7lectiva, \u00e9s recordar, infatigablement, el que alguns homes \u2014\u00e9s a dir, el poble\u2014 han fet una mica m\u00e9s enll\u00e0 dels interessos particulars, immediats i petits.”<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Homenots.<\/span> OC XVI, 7.<\/span><\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

El meu pa\u00eds – My Country Josep Pla\u2019s writing is, above all, the result of a man\u2019s outlook whose adherence to the language and to the landscape makes him capable of interpreting and reorganising the world through his writing and creating forms of identity. People and landscapes fuse together, into some sort of human geography […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":8268,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"disabled","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"disabled","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-21249","page","type-page","status-publish","hentry"],"yoast_head":"\nHomenots - El meu pa\u00eds - Fundaci\u00f3 Josep Pla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fundaciojoseppla.cat\/en\/permanent-exhibition\/homenots-el-meu-pais\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homenots - El meu pa\u00eds - Fundaci\u00f3 Josep Pla\" \/>\n<meta property=\"og:description\" content=\"El meu pa\u00eds – My Country Josep Pla\u2019s writing is, above all, the result of a man\u2019s outlook whose adherence to the language and to the landscape makes him capable of interpreting and reorganising the world through his writing and creating forms of identity. 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