{"id":40370,"date":"2026-04-10T10:31:34","date_gmt":"2026-04-10T08:31:34","guid":{"rendered":"https:\/\/fundaciojoseppla.cat\/?page_id=40370"},"modified":"2026-04-10T15:56:08","modified_gmt":"2026-04-10T13:56:08","slug":"permanent-exhibition-2","status":"publish","type":"page","link":"https:\/\/fundaciojoseppla.cat\/en\/permanent-exhibition-2\/","title":{"rendered":"Permanent Exhibition"},"content":{"rendered":"\t\t
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Permanent Exhibition<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The passion for writing
Josep Pla (1897-1981)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cWe should write with freedom, for the enjoyment of it, for pleasure, but with the greatest possible observation<\/strong>.\u201d<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Notes del capvesprol.<\/span> OC XXXV.<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Josep Pla is the most important prose writer in contemporary Catalan literature. A writer and journalist, author of diaries, biographies, memoirs, novels and great reports, he travels all around the world while never forgetting his origins in Palafrugell and the Empord\u00e0, thus making the local become universal.<\/p>\n

Pla possesses a veritable passion for writing and endows his work with a unique style: from a very personal and unmistakeable approach, he transforms his own life, experiences and readings into literary material, confusing it with true reality. In his texts, he constructs the image of a loner from Llofriu: a mask which enables him to hide the authentic personality of a sensitive man behind his literature, someone who is concerned about his family, who will have several romantic relationships and who is always surrounded by friends and acquaintances.<\/p>\n

With this singular work within the Catalan literary scene, as a young man Pla is already garnering a great response and success with a wide range of audiences. Readers who even today still appreciate in his work a reflection on personal and collective identity, an extensive inquiry into the passing of time and memory, and a spirited portrait of twentieth-century Catalonia.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Preu:<\/strong> 7,00 \u20ac i 5,00 \u20ac TR3SC i altres descomptes<\/a>
Durada<\/strong>: una hora i quart, aproximadament<\/p>\n

Reserva:<\/strong>
Consulteu l’agenda\u00a0<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Grups pr\u00e8via concertaci\u00f3<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Preu per grup<\/strong>: 90,00 \u20ac (100 \u20ac cap de setmana i festius)
Els grups m\u00e9s grans de 15 persones s\u2019hauran de dividir, per tal de circular amb m\u00e9s comoditat per l\u2019exposici\u00f3.<\/p>\n

Durada<\/strong>: una hora i quart, aproximadament<\/p>\n

Reserva<\/strong>:
info@fundaciojoseppla.cat<\/a> – 972 30 55 77<\/p>\n

Consulteu la nostra oferta al web d’Apropa Cultura<\/a>:<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1. Selfportrait<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cA genuine self-portrait as promised to Sra. Lola S., never sent for dear I\u2019d seem just too ludicrous. Height: five feet eight and a half inches [1.74 metres]. If we go by Retzius\u2019s classification, my skull decidedly verges on the brachycephalic. I have a short head but a big one. I have thick, abundant hair. I wouldn\u2019t have worried if I\u2019d had none, but a barber on carrer de Cavallers prophesied to my mother when I was a child, I\u2019m predestined never to lose my hair. I\u2019ll have hair until the day I die, something that must have made my parents feel intensely proud and contented. It doesn\u2019t amount to much, you might say, but it\u2019s just as well to be happy with what one has. I don\u2019t possess a huge, expansive, mercurial forehead, one that houses (hypothetically) a powerful intellect, that commonplace of novelists. I have a normal forehead that\u2019s at a right angle in relation to the earth. My hair is neither blond nor jet-black. It\u2019s somewhere in between. My nose was once a decent, elegantly arranged piece of cartilage. However, I myself destroyed the shape of my nose during [a slippery pole contest at] the annual fiestas in a village on the east coast where we went on summer vacation one year.\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. The grey notebook.<\/span> <\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cNow, if I may, I\u2019ll tell you about the important cities I\u2019ve visited and lived in for long periods of my life. As I was young, time flew past, my wages were paltry and, having always been a complete anti-bohemian, I\u2019ve accepted my life and what\u2019s more, appreciated it! I\u2019ve lived in Barcelona, Madrid, Lisbon, Porto, Paris, Bordeaux, Lyon, and Marseille; in Berlin, Hamburg, Frankfurt and Munich; in Genoa, Turin, Milan, Florence, Rome and Naples; in Stockholm, Oslo, Copenhagen and Helsinki; in Warsaw, Prague, Vienna, Budapest and Sofia; in Athens (Barcelona and Athens are the most populated cities in the Mediterranean); in Constantinople and Ankara; in Tel Aviv and Jerusalem; in Cairo and ports on the Red Sea, in Aden and Kuwait; in Moscow, Leningrad and Gorky; and many others that I can\u2019t remember. I\u2019ve had to sleep in so many beds! I\u2019ve had to eat so many different foods, though it has to be said they were better than what is usually eaten these days, with only a few exceptions, in my country!\u00bb\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Darrers escrits.<\/span> OC XLIV.<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2. Arround the world<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Foto Paco Dalmau<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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3. Things seen<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cThe writer has an overriding responsibility towards the era in which he is living.\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. La vida amarga.<\/span> OC VI.<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cEverything in the Mediterranean is local: the weather, cuisine, dialects and people. Everything here is constantly changing. A few miles to the south or to the north and everything varies: the direction of winds, the taste of the fish, the amount of garlic in a stew, languages, tastes and feelings. These shades can be astonishing.\u00bb\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Aigua de mar.<\/span> OC II.<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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4.The struggle against oblivion<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cHomenot, en catal\u00e0, no t\u00e9 cap sentit inconvenient i despectiu ni cap mat\u00eds necess\u00e0riament grotesc: m\u00e9s aviat s’aplica a persones singulars, de personalitat grossa, voluminosa, rellevant, humanament densa. \u00c9s possible que a l’\u00e8poca dels nen\u00fafars lilials i de les carnacions morades i evanescents la paraula fos considerada grollera. Avui, que la burgesia ha esdevingut tan combativa i es deixa amb tanta efic\u00e0cia dirigir, \u00e9s gaireb\u00e9 segur que el mat\u00eds liberal-decadent de la paraula ha caigut completament i s’ha esva\u00eft. \u00abHomenots\u00bb vol dir avui el que en la nostra llengua volgu\u00e9 dir sempre.\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Homenots (segona s\u00e8rie).<\/span> Selecta, 1958<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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5.The enthusiasm for writing<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cI have to confess that I wouldn\u2019t have known how to do anything other than write.”<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Per passar l'estona<\/span> OCXXXVI<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cLiterary subject: Sketch the flight of a bird in a line and a half.\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. El quadern gris<\/span> OC I<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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6.The undulating life<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201c<\/p>\n

I wouldn\u2019t do anything that would draw the attention of the press. I appreciate the piece you have produced, but it won\u2019t sell a single copy. The book will sell slowly, but it\u2019ll sell. I\u2019ve been writing for so many years, I\u2019ve written so much nonsense, so many people know me and, above all, the book is so wonderfully printed, that they will want to have a copy and will buy it.<\/p>\n

I have at least two thousand solid, reliable, admirers who will promote the book. Maybe a greater number, maybe fewer. These people will promote, and are promoting my work. I vouch for nothing else. These are people who\u2019ve been following me for fifty years. I don\u2019t know who they are. They like everything I\u2019ve written; simply because they like it, for the enjoyment of it, for the desire to pass the time. It\u2019s something that constantly surprises me, but it\u2019s also real.\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Letter from Josep Pla to Josep Verg\u00e9s, August 1966,
a few weeks after the publication of El quadern gris.<\/span> <\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cThe house is admirably placed on the landscape. The men who built it were part of the most glorious anonymity. However, they were aware of the weight, the shapes, the spirit of the surrounding reality. An instinctive good taste, born of his innate humility, eliminated from his view of things all presumptuous broadside, any whim of singularization.\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Josep Pla. Els pagesos<\/span> OC VIII<\/span><\/p> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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7. El mas Pla<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Permanent Exhibition The passion for writingJosep Pla (1897-1981) \u201cWe should write with freedom, for the enjoyment of it, for pleasure, but with the greatest possible observation.\u201d Josep Pla. Notes del capvesprol. OC XXXV. https:\/\/youtu.be\/kIsr15bjI7M Josep Pla is the most important prose writer in contemporary Catalan literature. A writer and journalist, author of diaries, biographies, memoirs, […]<\/p>\n","protected":false},"author":222,"featured_media":42646,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"disabled","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-40370","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPermanent Exhibition - Fundaci\u00f3 Josep Pla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fundaciojoseppla.cat\/exposicio-permanent\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Permanent Exhibition - Fundaci\u00f3 Josep Pla\" \/>\n<meta property=\"og:description\" content=\"Permanent Exhibition The passion for writingJosep Pla (1897-1981) \u201cWe should write with freedom, for the enjoyment of it, for pleasure, but with the greatest possible observation.\u201d Josep Pla. 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