{"id":5273,"date":"2018-02-07T19:01:45","date_gmt":"2018-02-07T18:01:45","guid":{"rendered":"https:\/\/fundaciojoseppla.cat\/temporary-exhibitions\/el-temps-que-fuig-narcis-comadira-i-josep-pla\/"},"modified":"2018-08-16T17:12:18","modified_gmt":"2018-08-16T16:12:18","slug":"el-temps-que-fuig-narcis-comadira-i-josep-pla","status":"publish","type":"page","link":"https:\/\/fundaciojoseppla.cat\/en\/temporary-exhibitions\/el-temps-que-fuig-narcis-comadira-i-josep-pla\/","title":{"rendered":"El temps que fuig. Narc\u00eds Comadira i Josep Pla"},"content":{"rendered":"\t\t
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Temporary Exhibitions\u200b<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2001<\/a><\/p>\nEl carrer Estret, la po\u00e8tica de la banalitat (The Narrow Street, the poetry of banality)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2002<\/a><\/p>\nGaud\u00ed i Verdaguer llegits per Josep Pla (Gaud\u00ed and Verdaguer reads by Josep Pla)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2001-02<\/a><\/p>\nJosep Pla: \u201c…s\u00f3c un ill\u00f2man\u201d (Josep Pla ‘…I am an island lover’)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2003<\/a><\/p>\nEl temps que fuig. Narc\u00eds Comadira i Josep Pla (Time flies. Narc\u00eds Comadira and Josep Pla)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2004<\/a><\/p>

Salvador Dal\u00ed, Josep Pla. Coincid\u00e8ncies (Salvador Dal\u00ed, Josep Pla Coincidences)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2005<\/a><\/p>\nJosep Pla. Cartes d’It\u00e0lia (Josep Pla. Letters from Italy)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2003<\/p>

El temps que fuig. Narc\u00eds Comadira i Josep Pla (Time flies. Narc\u00eds Comadira and Josep Pla)<\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Coinciding with the first day of summer, the\u00a0Fundaci\u00f3<\/i>\u00a0Josep Pla iniciated this new venture to revisit the work of the writer from Palafrugell with the exhibition\u00a0El temps que fuig<\/i>\u00a0(Time flies) . This relates some fragments of the graphic and journalistic work of contemporary author Narc\u00eds Comadira with the book\u00a0Les hores<\/i>\u00a0(The hours) by Josep Pla, fify years since it was presented by another poet, Salvador Espriu, with these words: “Totes fereixen, la derrera mata. El lema elegant dels vells rellotges de sol sembla que impl\u00edcament reuli el seny i la mem\u00f2ria de Josep Pla<\/i>“.<\/p>\n

The exhibition invited you to savour the work of Comadira and Pla, to perceive the differences, coincidences, opposing values or shared nostalgia. The fifty years which separate the writers are often dissolved by the cultural and general paralysis, which the war and post war produced in this country. Listen clearly to this dialogue between these two authors from different times and values but of very similar sensitivities, landscapes and critical scenes.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“Estimat Any Nou, no perdem el temps! Deixem c\u00f3rrer els mirallets! Com l\u2019any passat, m\u2019acontentaria de poder anar al llit tranquil dia per altre”<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Les hores.<\/span> OC XX, 16-17.<\/span><\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“Tot i que la pressi\u00f3 del pas del temps \u00e9s dolorosa i de vegades insuportable, s\u00f3c partidari de no defugir-la, perqu\u00e8 la meva experi\u00e8ncia em porta a creure que nom\u00e9s els qui senten aquest dolor somort \u2013o agut- aprofiten la vida, en el sentit m\u00e9s general del terme, i aprofiten a tenir alguna idea de les seves meravelles. […] Aquest llibre concretament, elaborat pensant a posar uns comentaris, merament col\u00b7loquials, a les hores de l\u2019any, ha estat, per a mi, una pura del\u00edcia, un entreteniment excepcional. Tothom l\u2019hauria pogut escriure si s\u2019hagu\u00e9s tret de sobre la confusi\u00f3 mental-monet\u00e0ria de l\u2019\u00e8poca actual.”<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. Les hores.<\/span> OC XX, 9-10.<\/span><\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“Fa dies que bufa el vent, que la pluja cau a gavadals, de cop, arrossegant-ho tot; que el mar, enfellonit, s\u2019end\u00fa la sorra de les platges, com volent esborrar els dies de gl\u00f2ria de l\u2019estiu, com volent imposar per la for\u00e7a una tristesa adusta i duradora. Ja ho s\u00e9 que tornar\u00e0 a sortir el sol i que podrem passejar-hi pac\u00edfics mentre els arbres es van despullant, mentre es treuen les seves t\u00faniques d\u2019or o de porpra per mostrar-nos, imp\u00fadics, els seus esquelets d\u2019aer glacial. Per\u00f2 ara bufa el vent, ara plou, ara les onades salten esvalotades i, als cors, s\u2019hi instal\u00b7la el desassossec i la malenconia.”<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Narc\u00eds Comadira. \"Tristesa\".<\/span> El Pa\u00eds, 22.11.2001.<\/span><\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Temporary Exhibitions\u200b 2001 El carrer Estret, la po\u00e8tica de la banalitat (The Narrow Street, the poetry of banality) 2002 Gaud\u00ed i Verdaguer llegits per Josep Pla (Gaud\u00ed and Verdaguer reads by Josep Pla) 2001-02 Josep Pla: \u201c…s\u00f3c un ill\u00f2man\u201d (Josep Pla ‘…I am an island lover’) 2003 El temps que fuig. Narc\u00eds Comadira i Josep […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":4223,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"disabled","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-5273","page","type-page","status-publish","hentry"],"yoast_head":"\nEl temps que fuig. 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Narc\u00eds Comadira i Josep […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fundaciojoseppla.cat\/exposicions-temporals\/el-temps-que-fuig-narcis-comadira-i-josep-pla\/\" \/>\n<meta property=\"og:site_name\" content=\"Fundaci\u00f3 Josep Pla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/FJosepPla\/\" \/>\n<meta property=\"article:modified_time\" content=\"2018-08-16T16:12:18+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@FJosepPla\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fundaciojoseppla.cat\/exposicions-temporals\/el-temps-que-fuig-narcis-comadira-i-josep-pla\/\",\"url\":\"https:\/\/fundaciojoseppla.cat\/exposicions-temporals\/el-temps-que-fuig-narcis-comadira-i-josep-pla\/\",\"name\":\"El temps que fuig. 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