{"id":5427,"date":"2018-02-08T18:26:39","date_gmt":"2018-02-08T17:26:39","guid":{"rendered":"https:\/\/fundaciojoseppla.cat\/expositions-temporaires\/el-carrer-estret-la-poetica-de-la-banalitat\/"},"modified":"2018-08-16T17:01:06","modified_gmt":"2018-08-16T16:01:06","slug":"el-carrer-estret-la-poetica-de-la-banalitat","status":"publish","type":"page","link":"https:\/\/fundaciojoseppla.cat\/fr\/expositions-temporaires\/el-carrer-estret-la-poetica-de-la-banalitat\/","title":{"rendered":"El carrer Estret, la po\u00e8tica de la banalitat"},"content":{"rendered":"\t\t
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Exposicions temporaires<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2001<\/a><\/p>\nEl carrer Estret, la po\u00e8tica de la banalitat (“El carrer Estret”, la po\u00e9tique de la banalit\u00e9)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2002<\/a><\/p>\nGaud\u00ed i Verdaguer llegits per Josep Pla (Gaud\u00ed et Verdaguer lus par Josep Pla)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2001-02<\/a><\/p>\nJosep Pla: \u201c…s\u00f3c un ill\u00f2man\u201d (Josep Pla : “\u2026je suis un \u00eelomane”)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2003<\/a><\/p>\nEl temps que fuig. Narc\u00eds Comadira i Josep Pla (Le temps s’enfuit. Narc\u00eds Comadira et Josep Pla)<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2004<\/a><\/p>

Salvador Dal\u00ed, Josep Pla. Coincid\u00e8ncies (Salvador Dal\u00ed, Josep Pla. Rencontres)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2005<\/a><\/p>

Josep Pla. Cartes d’It\u00e0lia (Josep Pla. “Lettres d’Italie”)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2001<\/p>

El carrer Estret, la po\u00e8tica de la banalitat (\"El carrer Estret\", la po\u00e9tique de la banalit\u00e9)<\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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L’ann\u00e9e 2001 a marqu\u00e9 le cinquantenaire de la publication du roman de Josep Pla\u00a0El carrer Estret<\/i>\u00a0par\u00a0Editorial Selecta<\/i>\u00a0de Josep M. Cruzet. \u00c9crite entre Palafrugell et Cadaqu\u00e9s, entre l’automne 1949 et le printemps 1951, cette \u0153uvre, pr\u00e9c\u00e9d\u00e9e d’un prologue tr\u00e8s nourri o\u00f9 Josep Pla se livre \u00e0 une r\u00e9flexion sur le genre romanesque, est un de ses livres les plus c\u00e9l\u00e8bres et les plus r\u00e9\u00e9dit\u00e9s. Lors de la Nuit de la Sainte Lucie de 1951,\u00a0El carrer Estret\u00a0<\/i>a remport\u00e9 la troisi\u00e8me \u00e9dition du prix du roman Joanot Martorell. Le jury \u00e9tait form\u00e9 de Miquel Llor, Salvador Espriu, Maurici Serrahima, Antoni Vilanova et Josep Miracle.<\/p>\n

L\u2019exposition a comm\u00e9mor\u00e9 ces \u00e9v\u00e9nements et a pr\u00e9sent\u00e9 des documents contemporains de la publication du roman, les premi\u00e8res r\u00e9actions de la critique et une analyse br\u00e8ve des caract\u00e9ristiques les plus remarquables de l’\u0153uvre.\u00a0El carrer Estret<\/i>,\u00a0la po\u00e8tica de la banalitat<\/i>\u00a0aidait le lecteur \u00e0 entrer dans le jeu litt\u00e9raire de Josep Pla, o\u00f9 la s\u00e9duction \u00e9mane de la m\u00e9diocrit\u00e9 de la vie quotidienne et de la passion pour les \u201cpoques coses<\/i>\u201d, gr\u00e2ce \u00e0 l’\u201cintel\u00b7lig\u00e8ncia po\u00e8tica<\/i>\u201d de l’auteur.<\/p>\n

L\u2019exposition a \u00e9t\u00e9 compl\u00e9t\u00e9e par la\u00a0Jornada d\u2019Estudi Cinquanta Anys d\u2019El carrer Estret<\/i>\u00a0(Journ\u00e9e d’\u00e9tude, le cinquanti\u00e8me anniversaire de\u00a0Carrer Estret<\/i>) avec les interventions de Xavier Pla,\u00a0De la prehist\u00f2ria liter\u00e0ria a<\/i>\u00a0El carrer Estret: dos cap\u00edtols in\u00e8dits de la relaci\u00f3 de Josep Pla amb la novel\u00b7la<\/i>\u00a0(De la pr\u00e9histoire litt\u00e9raire \u00e0\u00a0El carrer Estret\u00a0<\/i>: deux chap\u00eetres in\u00e9dits de la relation de Josep Pla avec le roman) ; Maria Josepa Gallofr\u00e9,\u00a0Un llibre in\u00e8dit: El carrer Estret\u00a0<\/i>(Un livre in\u00e9dit :\u00a0El carrer Estret<\/i>) ; Jordi Gr\u00e0cia,\u00a0L\u2019heterod\u00f2xia del moralista o la novel\u00b7la de Pla a l\u2019Espanya feixista<\/i>\u00a0(L’h\u00e9t\u00e9rodoxie du moraliste ou le roman de Pla dans l’Espagne fasciste) ; Llu\u00eds Bonada,\u00a0Una lectura de la novel\u00b7la El carrer Estret\u00a0<\/i>(Une lecture du roman\u00a0El carrer Estret<\/i>) et Antoni Vilanova,\u00a0Josep Pla i l\u2019editor Josep M. Cruzet\u00a0<\/i>(Josep Pla et l’\u00e9diteur Josep M. Cruzet). Les actes de la journ\u00e9e d’\u00e9tude ont \u00e9t\u00e9 publi\u00e9s par le\u00a0Departament de Filologia i Filosofia de la Universitat de Girona<\/i>\u00a0et par la\u00a0Fundaci\u00f3 Josep Pla<\/i>, dans la collection Diversitas [39] (2003).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“Per a la meva cuinera, furetejar en la vida dels altres constitueix una voluptuositat”<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Josep Pla. El carrer Estret.<\/span> OC VIII, 489.<\/span><\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Exposicions temporaires 2001 El carrer Estret, la po\u00e8tica de la banalitat (“El carrer Estret”, la po\u00e9tique de la banalit\u00e9) 2002 Gaud\u00ed i Verdaguer llegits per Josep Pla (Gaud\u00ed et Verdaguer lus par Josep Pla) 2001-02 Josep Pla: \u201c…s\u00f3c un ill\u00f2man\u201d (Josep Pla : “\u2026je suis un \u00eelomane”) 2003 El temps que fuig. Narc\u00eds Comadira i […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":4136,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"disabled","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-5427","page","type-page","status-publish","hentry"],"yoast_head":"\nEl carrer Estret, la po\u00e8tica de la banalitat - Fundaci\u00f3 Josep Pla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fundaciojoseppla.cat\/fr\/expositions-temporaires\/el-carrer-estret-la-poetica-de-la-banalitat\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El carrer Estret, la po\u00e8tica de la banalitat - Fundaci\u00f3 Josep Pla\" \/>\n<meta property=\"og:description\" content=\"Exposicions temporaires 2001 El carrer Estret, la po\u00e8tica de la banalitat (“El carrer Estret”, la po\u00e9tique de la banalit\u00e9) 2002 Gaud\u00ed i Verdaguer llegits per Josep Pla (Gaud\u00ed et Verdaguer lus par Josep Pla) 2001-02 Josep Pla: \u201c…s\u00f3c un ill\u00f2man\u201d (Josep Pla : “\u2026je suis un \u00eelomane”) 2003 El temps que fuig. 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